主演：Alexandre,Arquillière,Jackie,Monnier,恩里克·里贝罗,Diana,Hart,雅克·贝克
导演：让·雷诺阿,Jean,Renoir
简介：Claudie, a young French woman, inherits her uncle's property in Algeria, much to the disappointment of her scheming cousins Diane and Manuel. On the ferry she meets and falls for Pierre, an idle young man who has squandered his inheritance and is on his way to beg from Christian, his rich but rough-and-ready uncle, who owns a neighbouring farm to Claudie's. Made to work on the farm by Christian as a loan condition, Pierre is soon a changed man, and proposes to Claudie. But when his Arab friend Zoubir invites the Europeans on a hunting party, Diane and Manuel see their chance to move against their cousin.
主演：内详
导演：居伊·德波
简介：Voice 1 (male professional announcer type) This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts.These people also scorned subjective profundity. They were interested in nothing but an adequate and concrete expression of themselves.Voice 2 (Debord, monotone) Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished.Voice 1 They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives.Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production.The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation.Our camera has captured for you a few aspects of a provisional microsociety.The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole ” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning.This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them.The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued...Voice 2 Our life is a journey ” In the winter and the night. ” We seek our passage...�Voice 1 The abandoned literature nevertheless exerted a delaying action on new affective formulations.Voice 2 There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality.On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time.Voice 3 (young girl) No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom.Voice 1 The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive.Voice 2 One never really contests an organization of existence without contesting all of that organization's forms of language.Voice 1 When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment ordinary life� can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever.The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant nuns.What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality.Voice 2 The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations.Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep.Voice 3 The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world.Voice 1 In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past.Voice 2 Years, like a single instant prolonged to this point, come to an end.Voice 1 What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it.Voice 2 The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being keptVoice 3 What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything.Voice 2 Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time.Voice 1 Really hard to drink more.Voice 2 Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation ” poor and false like this botched traveling shot.Voice 3 There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed.Voice 2 In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need.The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life.To really describe this era it would no doubt be necessary to show many other things. But what would be the pointBetter to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories.1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s.
主演：王初伊,王予抒,严若君,孙瑜,朱志可,华斯比,陈慧雯,毛敏卓,张宇涵,赵文杰,程春,石强,王雯静
导演：傅逸聪
简介：每年暑假的七号宿舍楼都会闹鬼，没有一个学生敢留宿，校花莫冉为了男友肖源不顾室友苏彤的劝阻选择留宿，同时留宿的还有刚入学的新生“巫婆”吴霞。接下来莫冉经历了一连串的怪事，莫冉十分害怕，向宿管阿姨求救，阿姨却认为是莫冉的幻觉。这时候苏彤放心不下莫冉回到了宿舍，可怕的事情再次发生，她们开始调查真相，原来十几年前这栋楼里有一名叫梁仙的女生自杀了，而她自杀的宿舍就是目前莫冉苏彤住的这一间！究竟是真有鬼还是有人装神弄鬼，结局出乎了所有人的意料……
主演：李嘉明,倪慕斯,周浩晖,傅逸聪,王雯静,徐辰禹,夏佳,周梦冉,严若君,柏玉
导演：周浩晖
简介：林娜（倪慕斯 饰）一觉醒来，发现自己被关在一间密闭的房屋中，和她同处囚笼的还有另一个男子——刘洪（李嘉明 饰）。原来在这间房屋里曾发生过男童被困饿死的惨剧，而林娜和刘洪对此惨剧都承担着一定的过错。现在轮到他们二人被困于此，食水两断，两人之中只有一人可以获救，何去何从尽在他们的选择。
主演：夏望,刘芊辰,吴瑞君,苏怡然,王景晨,巩金国,李荣鹏,陈慧雯,璇竟,李晨曦,徐辰禹
导演：皮查农·塔玛杰拉
简介：失去生育能力的蓝若海发现妻子薛凝死于离奇车祸，尸身出现了一条虫。蓝若海将嫌疑人锁定在他的情人于雅娴和薛凝的孪生弟弟薛飞身上，在制裁完薛飞后，若海又亲手了结了于雅娴，同时，妻子真正的死因也真相大白。
主演：倪雪华,陈锐,普超英
导演：李舒,许纬华,王进
简介：湘四的一个边远小镇砖厂里。砖厂厂长柳门特意赶在巾秋审前给大伙提前发工资。由于砖厂越办越红火，每个工人的工资都有所增加，众人一阵欢呼。这时，远远走来一个背着破包满脸胡子的青年汉自，他就是柳月的丈夫立福。立福因不安于现状在两年前到人城市去闯世界，眼看两手空空而回。阵阵喧闹声中，玉秀的浴室开张了，她正热情地招呼客人。玉秀原是立福的恋人，因嫌立福穷，嫁给了一个有钱的城里人，不料丈夫过早地离开了人世，她又回到了小镇。立福不愿让玉秀看到自己潦倒的模样，急忙躲闪一边，可玉秀已将一切看在眼里。柳月回到家，惊喜地扑入日夜思念的丈夫的怀中，可是，立福却郁郁寡欢，妻子将砖厂办得有声有色，而自己。一个大老爷们却空着双手回来，心里很不平衡。立福决心在小镇办卡拉OK舞厅，向柳月借钱。柳月拿不出钱，立福生气地走了。玉秀赞赏立福的主意，并慷慨地借钱给他。几经周折下舞厅终于开张了。玉秀常去捧场，两人旧情复燃。一天深夜，立福到浴室还钱，玉秀情意绵绵，立福情不自禁将玉秀拥在怀里。全镇人都知道了立福和玉秀的风流韵事，只有柳月蒙在鼓里。好打抱不平的辣婶将真相告诉柳月，柳月伤心欲绝，备了一桌丰盛的洒莱，与立福抟进这“最后的晚餐”，然后毅然离去。这时，人们不满玉秀的所为，玉秀的浴室生意一落干丈。醉醺醺的立福闯进来向玉秀求婚，玉秀冷静地拒绝了他。镇上的大顺和春英举行婚礼，这对新人向柳月敬酒，强作欢颜的柳月推托着。立福来了。接过大顺手里的酒杯，代替柳月一饮而尽。立福和柳月久久对视着……
主演：玛丽安娜·德尼库尔,娜塔莉·理查德,洛朗斯·科特,安娜·卡里娜,布鲁诺·托德契尼,安德烈·马尔孔,Wilfred,Benaïche,Marcel,Bozonnet,Philippe,Dormoy,Enzo,Enzo,Pierre,Lacan,Stéphanie,Schwartzbrod,Christine,Vézinet,拉斯洛·绍博,Alain,Rigout
导演：雅克·里维特
简介：The film follows the story of three girls in contemporary Paris. One searches for her lost mother since she knows she's adopted. The other has come out of a coma and needs to have a love relationship aside from his mysterious father. The third one is a crook who redeems herself through love. The action is commented by songs and dance routines.
主演：李天柱,林子熙,王琄,谢琼煖,黄尚禾
导演：陈宇诘
简介：阿盛（李天柱 饰）是一个在北京生活已久的台商。他有两个老婆，一个离婚已久的台湾前任（谢琼煖 饰），一个感情不错的北京现任（王琄 饰）隔着两岸，不相往来。阿盛也有两个女儿，一个叫嘉欣（林子君 饰），一个叫恋恋（陈怡溱 饰），妹妹因为崇拜姐姐，从北京来台湾念大学，两人同住在一个屋簷下。妹妹刘恋在游泳队的潜水活动中意外身亡，警方判定她是因过量安眠药引发窒息死亡，认为同住的姊姊嘉欣身为潜水老手，与其一同下水，有故意杀人的嫌疑。爸爸阿盛回到台湾为小女儿办理后事，与疏离已久台湾的大女儿嘉欣再度重逢。身在北京的恋恋妈妈来台誓要查明真相。阿盛的前妻，嘉欣妈则誓要保护嘉欣。而游泳队长伯谚（黄尚禾 饰）内心似乎藏着什麽秘密......一对父女，两岸的家庭，就此掀起一场关于过往的风暴。
主演：方伟杰,蔡承峻,李光明,林圣宇,黄汉斌,吴国江,朱厚任,那广子,王朔,朱颜曼滋,陈传之
导演：郑斌辉
简介：少年篮球好手碰上高他一个头的对手。一个来自新加坡，一个来自中国。两人初次见面，八字不合，拼了命、一较高低；除了比身高比球艺之外，还有身份认同及社会归属感。少年之间，自然存在着竞争和互相排斥，但也从中培养深厚友谊。新加坡一位篮球界大腕，重金引进中国具备甲组球队水平、高素质的少年球苗，并安排所有球员接受为期两年的重点职业球员训练。他们立志要提高新加坡篮球水准，为篮球界注入新动力，希望能栽培出“下一个姚明”。一支新苗队，如何准备上场应战？适者生存的世界里，初生之犊怎么面对成年人的压力？ 不同背景、不同国籍的年轻人，经过三场激烈竞赛后，终于发现友情比战情和国情都更为可贵……本片改编自真人真事。
主演：马克桑斯·达奈-弗伟尔,鲁伯特·韦恩-詹姆斯,萨比恩·克洛森,Anaïs,D'Alyciade,Jean-Michel,Dubreuil,Agatha,Maksimova,Louise,Molinaro,Anaïs,Parello,Eléonore,Sarrazin,Axel,Baille
导演：乔里斯·福肯·格里莫德
简介：The House of Gaunt - Lord Voldemort Origins is a short film directed by Joris FAUCON GRIMAUD about Voldemort origins.The House of Gaunt is an unofficial short film who tells about the Voldemort origins, inspired by the Harry Potter universe from J.K. Rowling's book « Harry Potter and the Half-Blood Prince ». It is freely adapted for the screen and directed by Joris FAUCON GRIMAUD. This is a non-profit movie production that is unaffiliated andor controlled by Warner Bros.Made by fans for fans.
主演：德雅·萍娜·阿克
导演：Deniz,Enyüksek
简介：Would you fall in love with a person whose voice you haven't heard for months, whose face you haven't touched, you can't smell, you don't even have the chance to pass by the same street, you can't even be in the same photo, who is miles away from you, even by seas, islands and cities
主演：内详
导演：若尔格·雅科梅
简介：A young man forages for magic mushrooms in the forests surrounding Lisbon, before distributing them with carrier pigeons to locals suffering from depression. With Shrooms Jorge Jácome trades the expected sensationalism of its central subject for lyricism and curiosity, shooting on dreamy, gossamer 16mm.
主演：大卫·布拉德利
导演：Roy,Battersby
简介：红色水银是在911袭击余波后这个焦虑年代里的一次发人深思的探bbb。恐怖问题突出，媒体用大量的时间和数不清的专栏来报道这一主题。红色水银以一个迅速的，反映事实的，却有争议的视角来揭示这次袭击背后的真实原因，就像是从这三个迷茫的，恐惧的穆斯林男孩的角度来写这个故事。有前途的人才纳卫因·考德瑞，亚历克斯·堪恩和桑河·谢拉饰演年轻的穆斯林袭击者。他们在其原来的恐怖计划失败后在伦敦旅馆匆忙地劫持了一群人质。
主演：宫野真守,铃木拡树,广濑智纪,羽野晶纪,木村了,松冈广大,千叶哲也,中村まこと,伊達暁
导演：Takuji,Izumi
简介：1590年初，在统治者织田信长去世后，土地被丰臣秀吉接管。远在东部平原，一个名为“天茂”的神秘反叛者正在与其骷髅军团进行内战。在平原地区的一天，一个独行侠“雾丸”被骷髅军团追捕，走投无路。他被一群流浪者和“舍之介”拯救。雾丸在打斗中受伤，被带到附近的“无界”村庄。无界是首都和东部平原之间的邮政中转。这是个忙碌的村庄，对任何人都开放。该村庄由艺伎“极乐太夫”和“无界屋蘭兵卫”管理，还有一个名为“狸穴二郎”的浪人武士。当舍之介, 狸穴二郎和无界屋蘭兵卫都聚集在村中时，一个奇怪的时刻到来，似乎暗示着他们之间的某种渊源。它们背后隐藏着什么样的关系？这场内战将如何解开？
主演：韩文帅,李沐宸,贺怀博,范野子,贺莎,叶飞
导演：葛大伟
简介：“野赛路人王”-吴邹邹在网吧被曾经的电竞扫地僧-西门意外发现，为了夺回曾经的荣耀，西门用奖金全部归吴邹邹的条件成功拉拢吴邹邹加入自己的战队。喜得主角光环的队友们看到的却是一个对训练丝毫不上心的吊儿郎当男，校花姜晓璐的跟踪下，她发现吴邹邹从不训练的自大表现实际上是受家中病妹的条件所迫。妹妹的医药费迫使吴邹邹赌赛赚钱，吴邹邹加入deep战队也是因为高额奖金的诱惑，得知这个情况的还不仅仅是校花队友姜晓璐，还有背后来自外太空的神秘人X。X为了赢得比赛，用金钱诱惑吴邹邹就范，本就是为了医药费的吴邹邹会如何选择？他又将怎么面对队友和艰苦拿到的决赛权？面对开挂的作弊对手deep又该如何破局？
主演：查理·卓别林,艾德娜·珀薇安丝,埃内斯特·凡·佩尔特,李奥·怀特,劳埃德·培根
导演：查理·卓别林
简介：Edna's father wants her to marry wealthy Count He-Ha. Charlie, Edna's true love, impersonates the Count at dinner, but the real Count shows up and Charlie is thrown out. Later on Charlie and Edna are chased by her father, The Count, and three policeman. The pursuers drive off a pier.
主演：圆井湾,槙田雄司,长村航希,三河悠冴,八木光太郎,高野春树,岛田桃依,池田良,主浜晴美
导演：竹林亮
简介：一家小公司的职员们发现自己被困在办公室里永无尽头的一周循环之内，为了让关键人物部长意识到这一事实并打破循环，他们要使出浑身解数。时间循环的电影早已屡见不鲜，而能够想出“职场时间循环”这样令人惊恐又喷饭题材的，恐怕只有日本了。除了天马行空、笑料十足的精彩剧情外，本片最大亮点就是对职场及打工人真实的刻画，各种熟悉又似曾相识的桥段让无数打工人心有戚戚焉。
主演：奥布瑞·普拉扎,帕克·波西,连姆·艾肯,罗伯特·约翰·伯克,马丁·唐文,比尔·萨奇,詹姆斯·乌尔班尼亚克,洛伊德·考夫曼,吉娅,克罗瓦丁,凯伦·西拉斯,杰弗森·梅斯,克里斯蒂娜·鲁纳,John,Conlee,鲍勃·拜因顿,迈克尔·温·古查多,汤姆斯·杰·瑞恩,乔丹·西奥多,马克·达蒙·约翰逊,Andrew,Weems
导演：霍尔·哈特利
简介：《内德的步枪》是三部曲的最终章，前两部分别是《傻子亨利》(Henry Fool)和《国家密码》(Fay Grim)，为以另类眼光看美国社会的边缘提供了一个恰到好处的结尾。在这部电影中，Henry（Thomas Jay Ryan 饰，《傻子亨利》片中角色）和Fay（Parker Posey 饰，《国家密码》片中角色）也出现了，但他们变成了一幅画像，慈爱地看着他们的儿子Ned，Ned今年十八岁，最近才刚从证人保护计划中释放。尽管基督教徒从他的养父-一个教堂牧师手中接过他抚养，但Ned还是设定了报仇的目标：杀死他的父亲，因为那个人毁了他母亲的生活。当这个严肃又端庄的年轻人开始他的复仇之旅，他很快就发现自己进入了典型的哈特利式的异端分子的团伙中……
主演：汤厉昊,尹维周,崔琼尹
导演：项秋良
简介：青春的步伐，青春的故事，还有关于青春的所有。在我们十七八岁的年纪里，有许多渴望成功的动力，都会来自于那个长期驻扎在你心中的那个姑娘，为了她，可以奋斗，可以努力，可以失败，更可以不顾一切的前进。可能，这样的姑娘还不止一个……不管怎么样，当回头看去，回忆起来的时候，已经不会再是单纯的那个她，或者她们，而是那些和她们相关的那段美好时光。哭过，笑过，战斗过，可能有所遗憾，最终也是无悔。毕竟，青春的可能性有这么多，谁又能知道什么是完美。或许现在的你，早已经步入社会，每天经历着复杂的工作和人际关系，然后刷着微博等着一次愉快的午餐体验；或许，现在的你还在花样的年纪，每天都要听着家里人不变的关心，然后呆坐在课堂中等待放学游戏的乐趣。然后，我想和你说，无论如何，都请不要放弃，不要放弃少年的梦想，不要放弃坚持的前行，因为在奋斗的每一天都是无悔的青春。
主演：玄彬,刘智泰,朴成雄,裴晟祐,崔德门,林珍娜,安世河,许成泰,柳圣贤,崔日华,金溙勋,廉东宪,郑东奎,崔宏一,金子英,周锡泰,郑敏圣,韩哲宇,全宪泰,李载求,柳正浩,孙炳旭,郑镇荣,车顺裴,吴泰景,陈善圭
导演：张昌原
简介：为了逮捕涉及4万亿韩元、造成3万名受害者的稀世大骗子，诈骗犯（玄彬饰）和检察官展开较量的诈骗犯罪。玄彬将在片中饰演设下完美骗局的诈骗犯黄智成，是一位专挑诈骗犯行骗的天才诈骗犯；刘智泰在片中饰演劣性检察官朴熙洙，为抓住稀世大骗子而制定计划招揽黄智成，表面正义内里却是对权力有无尽欲望的人。电影新颖、烧脑的故事令人耳目一新，而两位演技派演员的互相飙戏也引发众多期待。电影计划于2016年下半年拍摄。